New York Times Book Review, where she wrote the “Last Word.” She is the author of She is a co-founder of, where she worked for twenty years.
Laura Miller (Introduction), a journalist and critic living in New York, is books and culture columnist for Her works available from Penguin Classics include Shirley Jackson (1916–1965) received wide critical acclaim for her short story “The Lottery,” which was first published in the The Haunting of Hill House beat them all…It scared me as a teenager and it haunts me still.”-Neil Gaiman, author of “The books that have profoundly scared me…are few….But Shirley Jackson’s “The scariest book I’ve ever read.” -Carmen Maria Machado, author of “ the only two great novels of the supernatural in the last hundred years.” -Stephen King
Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. But Hill House is gathering its powers-and soon it will choose one of them to make its own.įor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. Montague, an occult scholar looking for solid evidence of a “haunting” Theodora, his lighthearted assistant Eleanor, a friendless, fragile young woman well acquainted with poltergeists and Luke, the future heir of Hill House. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. The Haunting of Hill House has been hailed as a perfect work of unnerving terror. The greatest haunted house story ever written, the inspiration for a 10-part Netflix series directed by Mike Flanagan and starring Michiel Huisman, Carla Gugino, and Timothy Huttonįirst published in 1959, Shirley Jackson’s
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